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In this volume, Nicholas R.
Focusing on Spanish Golden Age theater and performative poetry from authors such as Calder n de la Barca, Lope de Rueda, and Rodrigo de Reinosa, Jones makes a strong case for revising the belief, long held by.
Jones analyzes white appropriations of black African voices in Spanish theater from the 1500s through the 1700s, when the performance of Africanized Castilian, commonly referred to as Habla de negros (black speech), was in vogue.
In this volume, Nicholas R
Uneori, aceste descrieri pot contine inadvertente. De asemenea, imaginea este informativa si poate contine accesorii neincluse in pachetele standard.
