Description American Gothic literature inherited many time-worn tropes from its English Gothic precursor, along with a core preoccupation: anxiety about power and property.
Her articles have been published in Modern Language Studies, Studies in Jewish Literature, and other journals and collections..
About the Author Ruth Bienstock Anolik teaches at Villanova University and writes extensively on the Gothic mode.
The 21st century unleashes the zombie horde--the latest incarnation of the voracious American.
Twentieth-century Gothic works offer inclusion to previously silent voices, including immigrant writers with their own cultural traditions.
The unchanging role of woman in early Gothic narratives parallels the status of American women, even after the Revolution.
The dispossession of Native Americans and African Americans adds urgency to traditional Gothic anxieties about possession.
The aristocratic villain is replaced by the striving, independent young man.
Yet the transatlantic journey left its mark on the genre--the English ghostly setting becomes the wilderness haunted by spectral Indians.
Description American Gothic literature inherited many time-worn tropes from its English Gothic precursor, along with a core preoccupation: anxiety about power and property
