Alejandro Gonzalez Inarritu\'s striking Amores Perros is the film Pulp Fiction might have been if Quentin Tarantino were as interested in people as movies. / This movie does not have Romanian subtitles..
A uniformly impressive cast create a gallery of unforgettable characters, some with only brief snippet-like scenes, others--such as Emilio Echevarria as the shaggy tramp with hidden depths--by sheer presence.
DVD Special FeaturesAdditional Scenes - with commentary by Alejandro Gonzalez Innaritu (director) and Guillermo Arriaga (writer)Behind the Scenes3 Music Videos (2 directed by Alejandro Gonzalez Innaritu)Theatrical TrailerCampaign DevelopmentFilmul nu are subtitrare in limba romana.
Inarritu is a real find, a distinctive and subtle voice who upends all your expectations of Mexican filmmaking by shifting confidently from raw, on-the-streets violent emotion to cool, upper-middle-class desperation.
It\'s a risky device, delaying crucial plot information for over an hour, but the individual stories, which weave in and out of each other with true-life untidiness, are so gripping you\'ll be happy to go along with them before everything becomes clear.
All three learn lessons about their lives from the dogs.
Amores Perros opens with chaos, as Octavio and a friend drive away from the latest dogfight with the injured canine on the back seat and enemies in hot pursuit, then hops back, forward and sideways in time.
Professor-turned-revolutionary El Chivo, who has been living as a derelict/assassin after a long prison sentence, rescues Octavio\'s injured dog from the crash.
As Valeria struggles to recover from her injuries her beloved dog is lost under the floor of the new apartment.
A car crash in Mexico City entwines three stories: in one car is Octavio, who has been entering his dog in fights to get enough money run off with his sister-in-law Susana; in the other car is Valeria, a supermodel who\'s just moved in with her lover Daniel, who has left his wife for her.
Alejandro Gonzalez Inarritu\'s striking Amores Perros is the film Pulp Fiction might have been if Quentin Tarantino were as interested in people as movies
