Since the nineteenth century, critics and scholars have emphasized the mystical rather than the logical qualities of Schubert\'s music.
Clark examines the historical influences behind existing analyses of Schubert\'s harmony and form, illustrating instead that Schubert\'s harmonic practice can be used to question the most basic tenets of music theory..
Since the nineteenth century, critics and scholars have emphasized the mystical rather than the logical qualities of Schubert\'s music