Modernist literature might well be accused of going to the dogs.
Yet the dog i.
In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition--facing, like the human species, the problem of adapting to modernizing forces that relentlessly outpaced it.
From the strays wandering the streets of Dublin in James Joyce\'s Ulysses to the highbred canine subject of Virginia Woolf\'s Flush , dogs populate a range of modernist texts.
Modernist literature might well be accused of going to the dogs