Ari Larissa Heinrich examines transnational Chinese aesthetic production-from the earliest appearance of Frankenstein in China to the more recent phenomenon of "cadaver art"- to demonstrate how representations of the Medically Commodified Body can illuminate the effects of Biopolitical violence and postcolonialism in contemporary life..
Ari Larissa Heinrich examines transnational Chinese aesthetic production-from the earliest appearance of Frankenstein in China to the more recent phenomenon of "cadaver art"- to demonstrate how representations of the Medically Commodified Body can illuminate the effects of Biopolitical violence and postcolonialism in contemporary life.