In this ground-breaking investigation into the seldom-studied Film Culture of Colonial Korea (1910-1945), Dong Hoon Kim brings new perspectives to the associations between colonialism, modernity, Film historiography and national cinema..
In this ground-breaking investigation into the seldom-studied Film Culture of Colonial Korea (1910-1945), Dong Hoon Kim brings new perspectives to the associations between colonialism, modernity, Film historiography and national cinema.