Famous Zionist philosopher Martin Buber introduces the philosophies of Hasidism to a Western audience in his modern masterpiece.
He lived and worked in Jerusalem until his death in 1965..
In 1963, he won the Erasmus Award in Amsterdam.
In 1958, he won the Israel Prize.
In 1951 he received the Goethe award of the University of Hamburg and in 1953 the Peace Prize of the German Book Trade.
Known for politically utopist ideals including anarchism and socialism, Buber became a leader in the Zionist movement and supported a bi-national solution to the Israel-Palestine conflict.
He continued to lecture in Jerusalem at Hebrew University.
In 1938, as the Nazi Party gained power, Buber left Germany and settled in Jerusalem.
After school, Buber was recruited to lecture on Jewish religious studies at universities, educational centers, and Jewish groups.
Buber had a knack for language and learned more than ten different languages during his school years.
He was raised by his grandparents, who introduced him to Zionism and Hasidism at a young age.
Buber grew up in Vienna during the rule of the Austro-Hungarian Empire, which fell after World War I.
Martin Buber (1878-1965) was an Austrian-born Jewish philosopher, essayist, translator, and editor most known for his German translation of the Bible, his religious existentialism philosophy, and his role in the Zionist movement.
With his lasting work in both Hasidism and Zionism, Buber imagined a renewal in the Jewish faith, and his philosophies and idealisms enrich the pages of this book, making it a must-read for any Jewish or religious scholar.
Buber\'s interpretation of Hasidic stories and teachings influenced a new generation to turn to Hasidic teachings, and his collection Hasidism continues to affect Jewish scholarship worldwide.
This book is a result of forty years of study, and Buber interprets the ideas and motives that underlie the great Jewish religious movement of Hasidism and its creator, Baal-Shem.
Famous Zionist philosopher Martin Buber introduces the philosophies of Hasidism to a Western audience in his modern masterpiece
