Description The first major work in English on Mathias Goeritz (1915-1990), this book illuminates the artist\'s pivotal role within the landscape of twentieth-century modernism.
About the Author Jennifer Josten is assistant professor in the Department of History of Art and Architecture at the University of Pittsburgh..
Exploring Goeritz\'s dialogues with leading figures among the Parisian and New York avant-gardes, such as Yves Klein and Philip Johnson, Josten shows how Goeritz\'s approach to modernism, which was highly attuned to politics and place, formed part of a global enterprise.
Josten addresses the Cold War implications of these and other initiatives that pitted Goeritz, an advocate of internationalist abstraction, against Diego Rivera and David Alfaro Siqueiros, ardent defenders of the realist style that prevailed in official Mexican art during the postrevolutionary period.
While best known for the experimental museum El Eco and his collaborations with the architect Luis Barrag n, including the brightly colored towers of Satellite City, Goeritz also shaped the Bauhaus-inspired curriculum at Guadalajara\'s School of Architecture and the iconic Cultural Program of Mexico City\'s 1968 Olympic Games.
His call to integrate abstract forms into civic and religious architecture, outlined in his "Emotional Architecture" manifesto, had a transformative impact on midcentury Mexican art and design.
Goeritz became recognized as an abstract sculptor after arriving in Mexico from Germany by way of Spain in 1949.
Description The first major work in English on Mathias Goeritz (1915-1990), this book illuminates the artist\'s pivotal role within the landscape of twentieth-century modernism
