These photographs document George Mitchell\'s trip to Mississippi, where he searched for then unrecorded Blues musicians including R.
Running throughout is the author\'s recounting of his experience of the seminal musicological odyssey..
The book includes Mitchell\'s interviews, conducted at the time he took the photos, with four of the musicians, who talk about their music, their lives, and the times in which they live.
They let him hang around with his camera while they cooked supper or danced up a storm.
They posed for portraits.
The musicians-- and their families and friends--welcomed him in their homes and at rent parties and fife and drum picnics.
Blues musicians brought pleasure and release to people wrestling with severe poverty and pervasive discrismination.
Mitchell\'s ability to connect with his subjects is evident in his arresting images.
Intimate, without posturing or pandering, these photographs provide a raw, authentic look at African American Blues musicians, their families, and their stomping grounds in the Mississippi Hill Country at a time when Blues music remained a lively, though waning, part of their community and Blues musicians were viewed with respect and pride.
The historic photographs in George Mitchell\'s Mississippi Hill Country Blues 1967 capture a vibrant Blues tradition at the moment of its discovery.
Some of the musicians Mitchell recorded had their lives transformed following his visit.
From Mitchell\'s fieldwork many others discovered the region and its distinctive style of blues.
This journey yielded recordings of music now on cherished and touted albums and CDs.
Burnside, Jessie Mae Hemphill, and Othar Turner.
L.
These photographs document George Mitchell\'s trip to Mississippi, where he searched for then unrecorded Blues musicians including R
