Non-Cinema: Global Digital Film-Making and the Multitude provides an original film-philosophy through which to understand low budget Digital filmmaking from around the globe.
He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012)..
About the Author William Brown is Senior Lecturer in Film at the University of Roehampton, UK.
Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa.
It draws upon a wide range of western and non-western philosophers, physicists, theorists of \'Third Cinema, \' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget Digital cinema is also through its Digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith.
Non-Cinema: Global Digital Film-Making and the Multitude provides an original film-philosophy through which to understand low budget Digital filmmaking from around the globe
