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In this book Michael Di Fuccia examines the theological import of Owen Barfield\'s poetic philosophy.
Di Fuccia shows how in Barfield\'s scheme the creative subject appears instead to inhabit a middle or me.
In both extremes subjectivity actually dissolves, divesting one of any creative integrity.
He argues that philosophies of immanence fail to account for creativity, as is evident in the false shuttling between modernity\'s active construal and postmodernity\'s passive construal of subjectivity.
In this book Michael Di Fuccia examines the theological import of Owen Barfield\'s poetic philosophy
Uneori, aceste descrieri pot contine inadvertente. De asemenea, imaginea este informativa si poate contine accesorii neincluse in pachetele standard.
