Notions, constructions, and performances of Race continue to define the Contemporary American experience, including our conceptions, performances, and employments of Shakespeare.
Passing Strange examines the contact zones between American constructions of Shakespeare and American constructions of Race by asking: How is Shakespeare\'s universalism constructed within explicit discussions and debates about racial identity? Of what benefit is the promotion of Shakespeare and Shakespearean.
Notions, constructions, and performances of Race continue to define the Contemporary American experience, including our conceptions, performances, and employments of Shakespeare