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The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter.
This book\'s chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range.
The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter
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