In The Flesh of Images , Mauro Carbone analyzed Merleau-Ponty\'s interest in film and modern painting as it relates to his aesthetic theory and as it illuminates our contemporary relationship to images.
Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and extending that analysis to address our experience of electronic and Digital screens in the twe.
In The Flesh of Images , Mauro Carbone analyzed Merleau-Ponty\'s interest in film and modern painting as it relates to his aesthetic theory and as it illuminates our contemporary relationship to images