Ranging from Garrick\'s Macbeth in the 1740s to the World Shakespeare Festival in 2012, this is an engaging account of the ways in which theatre critics have responded to Shakespearean performance.
Prescott provides new interpretative methods and case studies of great interest to students of Shakespeare, theatre and media studies..
Ranging from Garrick\'s Macbeth in the 1740s to the World Shakespeare Festival in 2012, this is an engaging account of the ways in which theatre critics have responded to Shakespearean performance