Standing on the Edmund Pettus Bridge in Selma, Alabama, in 2017, photographer William Abranowicz was struck by the weight of historical memory at This hallowed site of one of the civil Rights movement\'s defining episodes: 1965\'s "Bloody Sunday," when Alabama police officers attacked peaceful marchers.
That, coupled with an awareness of renewed vot.
To Abranowicz\'s eye, Selma seemed relatively unchanged from its apperance in the Photographs Walker Evans made there in the 1930s.
Standing on the Edmund Pettus Bridge in Selma, Alabama, in 2017, photographer William Abranowicz was struck by the weight of historical memory at This hallowed site of one of the civil Rights movement\'s defining episodes: 1965\'s "Bloody Sunday," when Alabama police officers attacked peaceful marchers