In 1989 the Geto Boys released a blistering track, "Size Ain\'t Shit," that paid tribute to the group\'s member Bushwick Bill.
He is the author of Country Soul: Making Music and Making Race in the American South, which Rolling Stone named one of the "Best Music Books of 2015," as well as numerous articles that have appeared in a variety of publications..
Hughes is the director of the Lynne and Henry Turley Memphis Center at Rhodes College.
About author(s): Charles L.
Confrontational and controversial, Bushwick Bill left a massive legacy as he rhymed and swaggered through an often-inaccessible world.
A complex figure, Bill exposed the truths of a racist and ableist society even as his violent and provocative lyrics put him in the middle of debates over censorship and misogyny.
Hughes also explores Bill\'s importance to his era and to the longer history of disability in music.
Hughes examines Bill\'s recordings and videos (both with the Geto Boys and solo), from the horror-comic persona of "Chuckie" to vulnerable verses in songs such as "Mind Playing Tricks On Me," to discuss his portrayals of dwarfism, addiction, and mental illness.
Charles L.
Why Bushwick Bill Matters chronicles this crucial artist and explores what he reveals about the relationships among race, sex, and disability in pop music.
Initially hired as a dancer, Bill became central to the Geto Boys as the Houston crew became one of hip-hop\'s most important groups.
Born with dwarfism, Bill was one of the few visibly disabled musicians to achieve widespread fame and one of the even fewer to address disability in a direct, sustained manner.
In 1989 the Geto Boys released a blistering track, "Size Ain\'t Shit," that paid tribute to the group\'s member Bushwick Bill
